He’s one of the few rappers wrestling with physical intimacy he never frames sex, even when he’s boasting, as a simple conquest. In particular, though, Antwon seems worth celebrating. Chance the Rapper, Kendrick Lamar, and Lil B exhibit a sympathy for female characters in their songs, and admit to their own flaws, and earn it. Cole or Drake or Kanye being sad that girls don’t always do exactly what they want. Arca rests somewhere in between there.Īnother thing to consider about hip-hop and misogyny in 2013: Which rappers offer up male-centric yet feminist correctives, or inject a little bit of dude-specific vulnerability into hip-hop? And by that I don’t mean J.
Anyways, Arca is riding the Yeezus wave on his own terms: &, a new 14-track mix of his own productions, continues the doesn’t-go-anywhere, music-from- Myst drag-and-hiss that peers like James Ferraro knock out as snarky larks, and Nguzunguzu has turned into some of the most transcendent dance-not-dance shuffle of the Soundcloud era.
#Jason derulo songs 2013 plus
Arca, a.k.a Alejandro Ghersi, a Venezuelan producer who made the beat for Mykki Blanco’s “Join My Militia (Nas Gave Me a Perm)” and records for post-whatever label Hippos in Tanks, made his first mainstream impact by working on Kanye West’s Yeezus (“Hold My Liquor,” “I’m In It,” “Guilt Trip,” and “Send It Up,” plus a general credit as “production consultant”), which lends some validity to the theory that the superstar rapper has been mining weird corners of art-damaged Tumblr rap (and that Mykki Blanco is only one degree removed from ‘Ye).
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